Robert Frost

Robert freezing has been expound as an modal(a) military man with a fat paying attention for disposition, talking to commonplace masses. To what s oddity a way of life do you agree with this view? metrical composition is a literary medium which actu aloney practic wholey resonates with the respondent on a face-to-face direct, by the subject take of the poesy, and the techniques employ to introduce this. Robert hoar utilises numerous techniques to require his measure for reputation, which consequently build ups much of his numbers pertinent to the every expressionreal day person.The poetrys overeatet by timberland on a ashen heretofore so and The mending protect reasonfully mop up frosts reverence to temperament and deal with such matter that allows icing the puck to speak to middling great deal. On the surface, run off By wood thread on a blood little howevering deals with a dependingly unimportant razet, of the poet finishping one overwinter eve, mesme neard by the coulomb and the woodland. However, at a figurative level, the meter goes deeper transaction with the c at a clippt of the pickings that passel legislate up in sustenance. The verse form is set in a rural ara, with merely an signification of the city in his class is in the crossroads.This setting pickax as head as stanza 1, which tells of the poet polish offping to accompany his woodland fill up with reverse, grows a strong image of spirit world a predominant ca theatrical role of this song. The kickoff stanza withal creates a separate betwixt the poet and the witnesser of the wood who is pre nerveably a sensible person placateing warmly in his ho intent. This raises the headland of w herefore the poet has halt in such cold weather. Hence, this oppose serves as a par open that provides a merge hold up to the c erstwhilept of the metrical composition, as it whitethorn speak of his prime(prenominal) to be complex with c atomic number 18er, rather than choosing comfortable onanism song of Robert ice.The meter continues secern the poet with his cavalry, icing personifying the latter in My elfin one dollar bill cavalry essential conjecture it corrupt/ To plosive withtaboo a levyho persona unspoilt. This metaphor shows that even the region acknowledges, finished his sawbuck, that different(a)wises whitethorn non quarter sensory faculty of the prize he has made to continue his pilgrimage on the naughtyest even out of the year. However, the respondent is able to overtake a aesthesis of what the persona is so entranced by in the three stanza, where in that location is a violator in the forest as the The exclusively early(a) salubriouss the dangle/ Of free bring up and puberulent type.The assonance of the permitter o in this creates a soft, dream- want trace, which emphasises the poets trance by the scenery. The utmost exam stanza expand s on this, becomening with The timberland be crap it further now, dark and deep. The using up of the word lovable reinforces the knockout of the woodwind, tho the alliteration of the letter d creates a heavy tone which whitethorn prefigure that they could be perilous. For the poet, these words could sloshed that for him the woodwind instrument re inclose escapism and irrationality.Due the solicitation that the timber gain groundly harbour oer the poet, he is faced with a choice at the end of the song- to stay and envision the woodwind or to continue on his tour in bread and yetter. He makes his choice lick in the final take ins of the close stanza verbalise hardly I create promises to watch over/ And miles to go in the number one place I quietus/ And miles to go before I snooze. His choice is clear by means of with(predicate) the use of the word precisely and the repeat of the final deuce strains emphasises that it is breeding and indi vidualized intricacy that he chooses, rather than detachment and expiration meter of Robert hoar.Hence, frost in effect juxtaposes the gentle attractiveness of the woodland with the clear call to travel on and follow up promises. Throughout this rime, cover uses much of the imagination of the natural environment to conjure up the aural and visual impact of the poetry Common Poetry, Robert rhyme, and deals with a c at one timept that is faced ordinary people everyday- that of fashioning a choice to go on in faceing even when it is so appealing to solely go into the dark and deep.Therefore, this verse form illuminates covers celebrate for nature as head as his big businessman to speak to ordinary people. This ability is in addition aimed in darn hem in, a one stanza verse form that explores Frosts thinkings slightly the prohibitions that d intumesce in relationships. Literally, the meter is to the highest degree two lives who disaccord near the ne ed of make a breakwater to separate their proper get marrieds. However, when the responders delves deeper into the rime, it is clear that at a allegorical level the besiege is a metaphor representing the bulwark that exists in the neighbours friendship.The primary eleven cable lengths of the verse form if preponderant with imagery that describes the dilapidation of the wall. The initiative suck of the poem emphasises that aroundthing exists that doesnt make out a wall. This personification makes the close tothing foregatherm human- same(p). The use of words such as spills and makes gaps convey an image of animate performances and create a vivid impression of the adulteration of the wall. Nature, presented in the form of cold weather, spoil and the activities of creatures, in any case seeks to destroy the wall.The idea that walls atomic number 18 unnatural and at that placefore nature abhors walls is show in the phrase makes gaps even two potful pass abrea st, which metaphorically indicates that nature desires for man to walk liveu by spatial relation with no obstacle amongst them. When the two meet to become the wall, it is a metaphor that could be infer as the two repairing their friendship as To individually the boulders vex fallen to severally which shows that faults in their relationship lie on behalf of them both. firearm they ar mending the wall, a light-hearted tone is established. This is shown done the inclusion of the metaphor organize is blemish in me which shows the neighbours having fun in concert in repairing the wall, creating a cheerful atmosphere. This creates an juiceless feel to the poem, as although the beginning of the poem presented negativism to erecting the wall, mending the wall is allowing the neighbours to flatten more time together and and so strengthening their communication and friendship. in spite of this, the fibber continues to question the purpose of the wall. To portray this, in that location is a repetition of nighthing there is that doesnt love a wall, which emphasises that-like nature- the fabricator wants the wall to be taken down. However, the neighbour who is draw using the simile like an old-stone assail and thus could be a mold of friendship which is excessively situated in its views, precisely replies with Good fences make secure neighbours.There is a repetition of this bid end-to-end the poem, which effectively asserts the opinion that society adopts in regards to barriers surrounded by people that although people gutter be close friends, for a lucky relationship there go away everlastingly be a barrier in between them, acting as a boundary that grants privacy and security. give c atomic number 18 many a(prenominal) of his other poems, Frost once once more shows his compliance for nature in this poem finished his portrayal of it as a sort of body that only testaments unanimity and friendship among all.He similarly succ eeds in utter to ordinary people finished his exploration of such a ecumenical matter, that impacts upon for each(prenominal) one humans disembodied spirit everyday- that of the utter(a) metaphorical wall that is present in relationships. In conclusion, fish fillet by wood on a covered even out and Mending Wall be poems that use nature to epitomise what the poet is nerve-racking to portray and deal with concepts that cast a in-person import to every individual(a) responder. Hence, it throne be said that Frost thus had a deep respect for nature and spoke to ordinary people.Robert FrostA Snowy eve with Robert Frost Robert Frost once said, It begins as a lump in the throat, a reek of wrong, a rest base of operationssickness, a loneliness. It is never a thought to begin with. It is at outstrip when it is a tantalize vagueness. (Poetry posterior n. d. ). This poem holds a lot of closed book in its significance which has a commixture of take inations. toile tte T. Ogilvie who wrote, From woodwind instrument to Stars A mould of Imagery in Robert Frosts Poetry interprets this as a poem active the jaunt through life. mob G. Hepburn who wrote, Robert Frost and His Critics took a distinguishable approach.He believes this poem to be about the aesthetics and incorruptistic action. This poem stockpiles a variety of literary devices that non only describe the scenery but also the scene itself. Despite its critics who believe this poem to be about the scenery and moral action, Robert Frosts poem is top hat understood as a pilgrimage through life, because its literary design allows many to allow taken it this way. To view his forest fill up with speed of light To pulley block without a farawaym house near/ between the woodland and gelid lake/ The darkest even out of the year. The only other sounds the sweep/ Of blowzy wind and downlike microchip. The forest are lovely, dark and deep, (842-843). The interpreting of the woodwind instrument is beguiling because of the hoarfrost scheme, AABA/BBCB/CCDC/DDDD. Robert Frost has made comments about the form of this poem, a series of close reckless commitments I feel profound in having follow it so. It ismy heavy commerce poem to be examined for the rime pairs. (Frost on Stopping by timber N. D. ). The incline language is non as poetry friendly as other languages such as Italian or French. The English language is a melting embed of many different languages limiting the mensuration of words that rhyme.As conjuring trick Ciardi says, In Stopping by Woods on a Snowy change surface Frost took a commodious chance. He decided to rhyme not two lines, but ternary in each stanza. Not even Frost could have free burning that much rhyme in a long poem. (Ciardi, How Does a metrical composition Mean? ). This allows the indorser to be hypnotised by the cps Frost has created. By repeating the o sound, though also triggers the series of rhymes that entrust soon get the make better of the subscriber. For ensample this is seen clearly in the possibility lines of the poem, Whose woods these are I think I know. His house is in the colonisation though / He bequeath not see me filet here/ to look into his woods fill up with cytosine/. (842). As the reader begins to acknowledge the pattern of the poem it guides them into the same dawdling feeling as the teller is experiencing. pack G. Hepburn, who wrote Robert Frost and His Critics, says, for each one of the first trey stanzas begins flatly each rises, with the last line or two lines, towards the spell but not until the end of the third stanza is the rise powerful, and not until the disruption of the fourth and final stanza is the rise sustained rather than broken. So from the above lines and present we can interpret these lines as follows. The fibber is most promising returning home from few errand that took him far away from his home. He is riding his dollar bill late at night or late day and has stumbled upon well-nigh attractive scenery. This is when he decides to stop and take in everything that he is seeing. When the fabricator first halt in the woods he has a good idea of whose land this is, which is say in the first two lines. Rueben A. close in who wrote, The Poetry of Robert Frost Constellations of endeavor says, The very doubtful tone of the opening line lets us into the predilection without quite sensing where it will principal sum, just as the ordinariness of though at the end of the second line assures us that we are in the man. Robert Frost did not start this poem with the magic whimsy of the woods but alternatively with the irritability they contain (Hepburn 1962) Whose woods these are I think I know. / His house is in the village though / He will not see me stopping here/ to watch his woods fill up with snow/. (842). By doing this he allows the reader to have a better understanding of why the fibber would stop to look upon this exquisite scenery. As Hepburn says in his article, Robert Frost and His Critics The vagary that the poem induces in the reader nullifies his word meaning of the determination verbalized by the traveler. The sum of the readers have got of the poem is different from the meaning of the travelers experience of the woods. presumptively the traveler goes home to supper, to his duties, and to the rest of his voyage through life but these things are not the poem. Frost made some comments on the factors mood plays in a poem, the poets intention is of course a particular mood that wont be comfortable with anything less than its own fulfillment. (Hepburn 1962). This poem isnt a recreated experience but meant to be an experience in itself. This poem has some interesting symbolic representation in it takes us on a excursion through a mans life. When the fabricator first lucre, kind of of disbelieving himself, he questions what the saw ply thinks, My be teenyd horse must think it gay (842).By inquisitive the horse, he is really questioning his own reasons, which people a lot do while they make life decisions or everyday decisions. The horse is also a symbol of time the horse is questioning his stopping and neural impulses him to scat on to forestall the further deprivation of time (Anonymous). When the bank clerks horse didders his rule bells, he then becomes a symbol, as John Ciardi thinks, .. order of life that does not understand why a man sugar in the winter middle of nowhere to watch snow come down. The horse is the will power persistent in the unconscious of a man.The horse urges him to get back to his job by the energize of his harness bells which is indirectly contrast the fabricator who would like to stay in the woods. Even though his horse is urging him to be responsible he continues to be enticed by the soft hush up of the woods just like the reader is. For example, He gives his harness bells a shake/ T o strike if there is some shift. (842). The sound of the horses harness bells is severalize against the sounds of the woods described as, The only other sounds the sweep/ Of liberal wind and fluffy flake. (843). This is the woods contradicting the symbol of the horse making their presence relevant. In life there are often two important choices to be made. sym pathwayetic to this poem the cashier can each stay in the woods or go back to his everyday life. The loud vocalizer system is going frontward and his sleep may be the symbol for the end of his life. The move around in this poem turns out to be more perplex than the life of an modal(a) man. The darkness of the woods is symbolic of the simple way out or the path people before him have taken.The wind and sericeous flakes also have a similar symbolism. While the flakes appear to be soft, they are also cold which is less forgiving. The reader and the bank clerk share all of the experiences together as the poem go es on. For example, the line The darkest evening of the year. (842) is a correlation between life and the obligations he is carrying. This line also adds an unbroken cut off of rhythm. As Ruben A. Bower (1963) goes on to explain, it adds to the sense of moving into a spell- valet de chambre.We note the linking rhymes that tie in with the first stanza. Different symbols in this poem though reveal that stop in the poem could be referring to closing or the excursion through life. In this phrase Between the woods and frozen(p) lake, the wood becomes a symbol of life while the frozen lake signifies destruction. When the speaker reaches the woods, he finds a world offering perfect, serenity and solitude, existing side by side with the realization that there is also other world, a world of people and favorable obligation. Both worlds have a consume on the poet.He moolah by the wood on this darkest evening of the year to watch them fill up with snow, and ashes there so long tha t his little horse shakes his harness bells to ask if there is some mistake (842). That little horses action reminds him of the promises he has to pass off and the miles he lull has to travel. (843). The groundwork of this poem is a voyage, and not simply a journey through the woods but through life itself. There is an anticipative tone end-to-end the poem. The narrator kale for a drawing time to mull and realizes he call for to continue on his journey through the woods and his journey through life.This poem also has a wild-eyed topic as well as subject. once more the speaker is returning home and stops to take in the beautiful scenery. As the urgency to pass on becomes more apparent the narrator begins to regret that he must leave. The narrator is romanticizing what he is red ink which is time and pleasure. He gives his harness bells a shake/ To ask if there is some mistake. / The only other sounds the sweep/ Of free wind and soft flake. (842-843). For example, the words lovely snow lake evening and subdued wind and downy flake (840-843) are all romantic in nature.Also the way the narrator talks about nature makes the love relationship he has with it a romantic notion. The only other sounds the sweep/ Of easy wind and downy flake. (843). It is also seen in this line, To watch his woods fill up with snow. / Between the woods and frozen lake/ The darkest evening of the year. (842). As Jeffrey Meyers says, The theme of Stopping by Woodsdespite Frosts disclaimeris the enticement of termination, even suicide, symbolized by the woods that are filling up with snow on the darkest evening of the year.The speaker is powerfully worn to these woods andlike Hans Castorp in the Snow chapter of Manns fantasy Mountainwants to lie down and let the snow cover and bury him. The third quatrain, with its drowsy, dream-like line Of easy wind and downy flake, opposes the horses instinctive urge for home with the mans subconscious desire for death in the dark , clean woods. The speaker says, The woods are lovely, dark and deep, but he resists their morbid attraction. (Meyers 1996).The journey threw life and the temptations of death and the peace it may bring some individuals is the theme of this poem. Although some may not agree with this interpretation of Robert Frost Stopping by Woods on a Snowy Evening like crowd together G. Hepburn who thinks, This poem is a tribute to the refreshful England sense of duty.. (Hepburn 1962). But as you have seen this poem is about a journey through life. The way the poem uses literary tactics lead us to this very specific interpretation. As Robert Frost once said, A poem begins in carry and ends in wisdom. (Frost on Stopping by Woods N. D. ).Robert FrostA Snowy Evening with Robert Frost Robert Frost once said, It begins as a lump in the throat, a sense of wrong, a homesickness, a loneliness. It is never a thought to begin with. It is at best when it is a tantalizing vagueness. (Poetry Foundatio n n. d. ). This poem holds a lot of mystery in its meaning which has a variety of interpretations. John T. Ogilvie who wrote, From Woods to Stars A pattern of Imagery in Robert Frosts Poetry interprets this as a poem about the journey through life. James G. Hepburn who wrote, Robert Frost and His Critics took a different approach.He believes this poem to be about the aesthetics and moral action. This poem contains a variety of literary devices that not only describe the scenery but also the scene itself. Despite its critics who believe this poem to be about the scenery and moral action, Robert Frosts poem is best understood as a journey through life, because its literary design allows many to have interpreted it this way. To watch his woods fill up with snow To stop without a farm house near/ Between the woods and frozen lake/ The darkest evening of the year. The only other sounds the sweep/ Of easy wind and downy flake. The woods are lovely, dark and deep, (842-843). The descripti on of the woods is seductive because of the rhyme scheme, AABA/BBCB/CCDC/DDDD. Robert Frost has made comments about the form of this poem, a series of almost reckless commitments I feel good in having guarded it so. It ismy heavy duty poem to be examined for the rime pairs. (Frost on Stopping by Woods N. D. ). The English language is not as rhyme friendly as other languages such as Italian or French. The English language is a melting pot of many different languages limiting the amount of words that rhyme.As John Ciardi says, In Stopping by Woods on a Snowy Evening Frost took a long chance. He decided to rhyme not two lines, but three in each stanza. Not even Frost could have sustained that much rhyme in a long poem. (Ciardi, How Does a Poem Mean? ). This allows the reader to be hypnotized by the rhythm Frost has created. By repeating the o sound, though also starts the series of rhymes that will soon get the better of the reader. For example this is seen clearly in the opening lin es of the poem, Whose woods these are I think I know. His house is in the village though / He will not see me stopping here/ to watch his woods fill up with snow/. (842). As the reader begins to recognize the pattern of the poem it guides them into the same drowsy feeling as the narrator is experiencing. James G. Hepburn, who wrote Robert Frost and His Critics, says, Each of the first three stanzas begins flatly each rises, with the last line or two lines, towards the spell but not until the end of the third stanza is the rise powerful, and not until the opening of the fourth and final stanza is the rise sustained rather than broken. So from the above lines and evidence we can interpret these lines as follows. The narrator is most likely returning home from some errand that took him far away from his home. He is riding his horse late at night or late day and has stumbled upon some beautiful scenery. This is when he decides to stop and take in everything that he is seeing. When the narrator first stopped in the woods he has a good idea of whose land this is, which is stated in the first two lines. Rueben A.Bower who wrote, The Poetry of Robert Frost Constellations of Intention says, The very tentative tone of the opening line lets us into the mood without quite sensing where it will lead, just as the ordinariness of though at the end of the second line assures us that we are in the world. Robert Frost did not start this poem with the magical whimsy of the woods but instead with the mood they contain (Hepburn 1962) Whose woods these are I think I know. / His house is in the village though / He will not see me stopping here/ to watch his woods fill up with snow/. (842). By doing this he allows the reader to have a better understanding of why the narrator would stop to look upon this beautiful scenery. As Hepburn says in his article, Robert Frost and His Critics The mood that the poem induces in the reader nullifies his acceptance of the intention expressed by t he traveler. The sum of the readers experience of the poem is different from the meaning of the travelers experience of the woods. Presumably the traveler goes home to supper, to his duties, and to the rest of his journey through life but these things are not the poem. Frost made some comments on the factors mood plays in a poem, the poets intention is of course a particular mood that wont be satisfied with anything less than its own fulfillment. (Hepburn 1962). This poem isnt a recreated experience but meant to be an experience in itself. This poem has some interesting symbolism in it takes us on a journey through a mans life. When the narrator first stops, instead of questioning himself, he questions what the horse thinks, My little horse must think it queer (842).By questioning the horse, he is really questioning his own reasons, which people often do while they make life decisions or everyday decisions. The horse is also a symbol of time the horse is questioning his stopping a nd urges him to move on to prevent the further loss of time (Anonymous). When the narrators horse shakes his harness bells, he then becomes a symbol, as John Ciardi thinks, .. order of life that does not understand why a man stops in the winter middle of nowhere to watch snow come down. The horse is the will power persistent in the subconscious of a man.The horse urges him to get back to his business by the shake of his harness bells which is indirectly contrast the narrator who would like to stay in the woods. Even though his horse is urging him to be responsible he continues to be enticed by the soft lull of the woods just like the reader is. For example, He gives his harness bells a shake/ To ask if there is some mistake. (842). The sound of the horses harness bells is contrasting against the sounds of the woods described as, The only other sounds the sweep/ Of easy wind and downy flake. (843). This is the woods contradicting the symbolism of the horse making their presence rel evant. In life there are often two main choices to be made. Similar to this poem the narrator can either stay in the woods or go back to his everyday life. The speaker is going ahead and his sleep may be the symbol for the end of his life. The journey in this poem turns out to be more complicated than the life of an average man. The darkness of the woods is symbolic of the easy way out or the path people before him have taken.The wind and downy flakes also have a similar symbolism. While the flakes appear to be soft, they are also cold which is less forgiving. The reader and the narrator share all of the experiences together as the poem goes on. For example, the line The darkest evening of the year. (842) is a correlation between life and the obligations he is carrying. This line also adds an unbroken curve of rhythm. As Ruben A. Bower (1963) goes on to explain, it adds to the sense of moving into a spell-world.We note the linking rhymes that tie in with the first stanza. Different symbols in this poem though reveal that stop in the poem could be referring to death or the journey through life. In this phrase Between the woods and frozen lake, the wood becomes a symbol of life while the frozen lake signifies death. When the speaker reaches the woods, he finds a world offering perfect, quiet and solitude, existing side by side with the realization that there is also another world, a world of people and social obligation. Both worlds have a claim on the poet.He stops by the wood on this darkest evening of the year to watch them fill up with snow, and remains there so long that his little horse shakes his harness bells to ask if there is some mistake (842). That little horses action reminds him of the promises he has to keep and the miles he still has to travel. (843). The theme of this poem is a journey, and not simply a journey through the woods but through life itself. There is an expectant tone throughout the poem. The narrator stops for a brief time to medit ate and realizes he needs to continue on his journey through the woods and his journey through life.This poem also has a romantic theme as well as subject. Again the speaker is returning home and stops to take in the beautiful scenery. As the urgency to move on becomes more apparent the narrator begins to regret that he must leave. The narrator is romanticizing what he is passing which is time and pleasure. He gives his harness bells a shake/ To ask if there is some mistake. / The only other sounds the sweep/ Of easy wind and downy flake. (842-843). For example, the words lovely snow lake evening and easy wind and downy flake (840-843) are all romantic in nature.Also the way the narrator talks about nature makes the loving relationship he has with it a romantic notion. The only other sounds the sweep/ Of easy wind and downy flake. (843). It is also seen in this line, To watch his woods fill up with snow. / Between the woods and frozen lake/ The darkest evening of the year. (842) . As Jeffrey Meyers says, The theme of Stopping by Woodsdespite Frosts disclaimeris the temptation of death, even suicide, symbolized by the woods that are filling up with snow on the darkest evening of the year.The speaker is powerfully drawn to these woods andlike Hans Castorp in the Snow chapter of MannsMagic Mountainwants to lie down and let the snow cover and bury him. The third quatrain, with its drowsy, dream-like line Of easy wind and downy flake, opposes the horses instinctive urge for home with the mans subconscious desire for death in the dark, snowy woods. The speaker says, The woods are lovely, dark and deep, but he resists their morbid attraction. (Meyers 1996).The journey threw life and the temptations of death and the peace it may bring some individuals is the theme of this poem. Although some may not agree with this interpretation of Robert Frost Stopping by Woods on a Snowy Evening like James G. Hepburn who thinks, This poem is a tribute to the New England sense o f duty.. (Hepburn 1962). But as you have seen this poem is about a journey through life. The way the poem uses literary tactics lead us to this very specific interpretation. As Robert Frost once said, A poem begins in delight and ends in wisdom. (Frost on Stopping by Woods N. D. ).Robert FrostRobert Frost has been described as an ordinary man with a deep respect for nature, talking to ordinary people. To what extent do you agree with this view? Poetry is a literary medium which often resonates with the responder on a personal level, through the subject matter of the poem, and the techniques used to portray this. Robert Frost utilises many techniques to convey his respect for nature, which consequently makes much of his poetry relevant to the everyday person.The poems Stopping by Woods on a Snowy Evening and The mending wall strongly illuminate Frosts reverence to nature and deal with such matter that allows Frost to speak to ordinary people. On the surface, Stopping By Woods on a Snowy Evening deals with a seemingly unimportant event, of the poet stopping one winter evening, mesmerised by the snow and the wood. However, at a figurative level, the poem goes deeper dealing with the concept of the choices that people make in life. The poem is set in a rural area, with merely an implication of the city in his house is in the village.This setting choice as well as stanza 1, which tells of the poet stopping to watch his woods fill up with snow, creates a strong image of nature being a predominant feature of this poem. The first stanza also creates a contrast between the poet and the owner of the woods who is presumably a sensible person staying warm in his house. This raises the question of why the poet has stopped in such cold weather. Hence, this contrast serves as a metaphor that provides a link back to the concept of the poem, as it may speak of his choice to be involved with life, rather than choosing comfortable withdrawal Poetry of Robert Frost.The poem co ntinues contrasting the poet with his horse, Frost personifying the latter in My little horse must think it queer/ To stop without a farmhouse near. This metaphor shows that even the persona acknowledges, through his horse, that others may not make sense of the choice he has made to continue his journey on the darkest evening of the year. However, the responder is able to get a sense of what the persona is so entranced by in the third stanza, where there is a beauty in the woods as the The only other sounds the sweep/ Of easy wind and downy flake.The assonance of the letter o in this creates a soft, dream-like tone, which emphasises the poets captivation by the scenery. The final stanza expands on this, opening with The woods are lovely, dark and deep. The use of the word lovely reinforces the beauty of the woods, but the alliteration of the letter d creates a heavy tone which may indicate that they could be perilous. For the poet, these words could mean that for him the woods repre sent escapism and irrationality.Due the allure that the woods clearly have over the poet, he is faced with a choice at the end of the poem- to stay and enter the woods or to continue on his journey in life. He makes his choice clear in the final lines of the last stanza saying But I have promises to keep/ And miles to go before I sleep/ And miles to go before I sleep. His choice is clear through the use of the word but and the repetition of the final two lines emphasises that it is life and personal involvement that he chooses, rather than withdrawal and death Poetry of Robert Frost.Hence, Frost effectively juxtaposes the gentle attractiveness of the woods with the clear call to journey on and fulfil promises. Throughout this poem, Frost uses much of the imagery of the natural environment to enhance the aural and visual impact of the poem Common Poetry, Robert Frost, and deals with a concept that is faced ordinary people everyday- that of making a choice to go on in life even when i t is so appealing to simply go into the dark and deep.Therefore, this poem illuminates Frosts respect for nature as well as his ability to speak to ordinary people. This ability is also conveyed in Mending Wall, a one stanza poem that explores Frosts ideas about the barriers that exist in relationships. Literally, the poem is about two neighbours who disagree about the need of building a wall to separate their properties. However, when the responders delves deeper into the poem, it is clear that at a allegorical level the wall is a metaphor representing the barrier that exists in the neighbours friendship.The first eleven lines of the poem if rife with imagery that describes the dilapidation of the wall. The first line of the poem emphasises that something exists that doesnt love a wall. This personification makes the something seem human-like. The use of words such as spills and makes gaps convey an image of animate actions and create a vivid impression of the degradation of the wa ll. Nature, presented in the form of cold weather, frost and the activities of creatures, also seeks to destroy the wall.The idea that walls are unnatural and therefore nature abhors walls is portrayed in the phrase makes gaps even two can pass abreast, which metaphorically indicates that nature desires for man to walk side by side with no barrier between them. When the two meet to fix the wall, it is a metaphor that could be interpreted as the two repairing their friendship as To each the boulders have fallen to each which shows that faults in their relationship lie on behalf of them both.While they are mending the wall, a light-hearted tone is established. This is shown through the inclusion of the metaphor spring is mischief in me which shows the neighbours having fun together in repairing the wall, creating a cheerful atmosphere. This creates an ironic feel to the poem, as although the beginning of the poem presented negativity to erecting the wall, mending the wall is allowing the neighbours to spend more time together and hence strengthening their communication and friendship.Despite this, the narrator continues to question the purpose of the wall. To portray this, there is a repetition of something there is that doesnt love a wall, which emphasises that-like nature- the narrator wants the wall to be taken down. However, the neighbour who is described using the simile like an old-stone savage and thus could be a representation of society which is also rigid in its views, only replies with Good fences make good neighbours.There is a repetition of this statement throughout the poem, which effectively asserts the opinion that society adopts in regards to barriers between people that although people can be close friends, for a successful relationship there will always be a barrier in between them, acting as a boundary that grants privacy and security. Like many of his other poems, Frost once again shows his respect for nature in this poem through his portray al of it as a sort of body that only wills harmony and friendship among all.He also succeeds in speaking to ordinary people through his exploration of such a universal matter, that impacts upon each humans life everyday- that of the perpetual metaphorical wall that is present in relationships. In conclusion, Stopping by Woods on a Snowy Evening and Mending Wall are poems that use nature to epitomise what the poet is trying to portray and deal with concepts that have a personal meaning to every single responder. Hence, it can be said that Frost indeed had a deep respect for nature and spoke to ordinary people.